The Analysis of Imagery of ZengXin’s Poems

Main Article Content

卢玉福 卢玉福

Abstract

Imagery, which is the spirit of a poem, means feeling and setting happily blended in the poems. This paper is a systematic research ZengXin’s poems by researching the imagery. This study is referential to the poetic creativity in future.


In chapter one, this paper analyze and appreciate the imagery of Zengxin’s poems by the way of binding feeling and setting.


In chapter two, this paper analysis the philosophy of culture of the imagery of Zengxin’s poems by the way of the mindset. The main conclusions of the imagery of Zengxin’s poems in philosophy of culture are as follows: 1. awareness feature based on the thinking; 2. awakening feature based on the spirit of life and universal mind; 3. integrating feature based on the thinking of metaphor and analogy and the thinking of metaphors.


In chapter three, this paper analysis the creation of the imagery of Zengxin’s poems by the way of aesthetic ideology. The main conclusions of the imagery of Zengxin’s poems in the creation of he imagery are as follows: 1.The construction of the imagery are inspired by the realization of the natural beauty, by accumulating of aesthetic experience, even by reserving of the academic attainment. 2. There are several ways to appear the imagery: linking up, leaping, conversion of temporal and spatial; 3. The association of the imagery and language demonstrates substitutive characteristics of the imagery, which are fuzziness, virtual feature, flexibility and musicality.  


Throughout the imagery of Zengxin’s poems, this paper draws a conclusion: the feature of imagery of Zengxin’s poems is dialectical unity of narrative thinking and imagery thinking, which means the dialectical unity between reality and the truth of art. And these would make sense of appreciating, researching and creation of the poems.

Keywords:
imagery Zengxin’s poems traditional culture thinking

Article Details

Section
Research Articles