REHEARSAL TECHNIQUES AND INTERPRETATION OF PAMINA’S ARIA FROM DIE ZAUBERFLÖTE

Abstract

The purpose of this study was to explore rehearsal techniques and interpretation of Pamina’s Aria. The study aimed to improve the singing and interpretation skills of the song. By studying Pamina’s Aria from the opera “Die Zauberflöte,” the goal was to identify solutions to common problems that arise during rehearsals and apply them to performances.

The study found that initial training should be appropriately planned and systematic. It should begin with practicing to read the lyrics in one sentence at a time. Then, the singer should read the entire song correctly, analyze the lyrics, memorize the melody, and practice singing. Additionally, breathing exercises, utilizing the method of paragraph breaks, are crucial. Vocalization requires continuous singing, which can create problems with running notes and non-step intervals. As a result, continuous singing must create a reverberating sound with each vocal range connected as one. This connection must remain consistent regardless of the changing sound range. Moreover, the interpretation of the song should harmonize with the intensity of the sound, and the emotion conveyed during singing must remain consistent. Finally, if any problems arise during the training, the problem areas should be separated and addressed by choosing an appropriate method to solve the issue.

Keywords:  Rehearsal, Singing, Pamina